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DJANEMAG UAE · Editorial · ADE 2026 Special

N°03 ·

Off to ADE 2026: Hunting the Superwomen Who Reshaped Dance Music

One month of preparation, a calendar full of women and a first for the whole network: DJane Mag, DJane Mag Brasil and DJane Mag UAE cover the 30th Amsterdam Dance Event together.

Thirty years ago, Amsterdam Dance Event opened its doors with about 300 delegates and three venues. This October it celebrates its 30th edition with more than 3,600 artists across the city. And for the first time, DJane Mag, DJane Mag Brasil and DJane Mag UAE will be there together, covering it from the inside.

It has taken a month to get here. A month of building an agenda line by line, writing to managers and PRs, confirming interviews, studying every panel in the programme, and saying yes to more coffees than I can count. At the same time, back home, we kept campaigning for our own community: more than 90 women DJs and producers in the UAE who deserve the same visibility as the names on the biggest posters.

A packed ADE night with the ade logo lit above the stage
Amsterdam Dance Event, from the ADE archive. Photo: ADE Photopack Archive.

This is a hunt for the superwomen who reshaped dance music.

My mission in Amsterdam is simple. Sit down with the women who are changing how this industry sounds, works and decides, and bring their stories back to the community in the UAE, in Brazil and everywhere DJane Mag is read.

A smiling woman delegate pinning flyers to a wall at the first Amsterdam Dance Event in 1996ADE 1996, the first edition.
A smiling woman with studio headphones at an ADE Pro listening sessionADE Pro, 2006.
Women were there from day one. Photos: ADE Photopack Archive.

The women I am meeting

Where women run the room

Interviews are only half of it. ADE 2026 is full of nights and talks built by women, for everyone, and these are the ones I will be at:

Ellen Allien mixing vinyl in the booth at ADEEllen Allien in the booth.
Kelis performing on stage at Paradiso during ADE 2010Kelis at Paradiso, ADE 2010.
In the booth and on stage. Photos: ADE Photopack Archive.

Inside the ADE Lab with Neon Fox

One of our own made it into the room where the future is trained. DJane Neon Fox is part of the ADE Lab this year, on the production track, and she will take over our social media from the inside: the classes, the studios, the mentors and the late nights. An exclusive for our community, straight from the source.

Casa Brasil, because I am Brazilian

I live in Dubai, but my ears never left Brazil. From far away I have watched Brazilian electronic music take over the world, and it has done it with a long list of standout DJanes, from B4RBRA to Carola and Ella de Vuono. So on Saturday I will be at Casa Brasil by Hot Beats, back at ADE for a second year on the LuminAir rooftop, from 4 PM to 3 AM.

The women on the line-up: Carola, Ella de Vuono and Mary Olivetti, with a live showcase by Grag Queen, who makes her Netherlands debut. Ella de Vuono also speaks on “The Brazil Boom” panel, and the “Female DJs in Brazil” talk brings Lua, DJ Ray, Galecta and Monique Dardenne to the stage. Even one of my interviews has a Brazilian thread: “Mwaki” was born when a young producer from Brazil found Sofiya Nzau’s voice in a sample pack.

A woman with long red gloves dancing on a crowded dancefloor
The dancefloor, from the ADE archive. Photo: ADE Photopack Archive.

And then, Jean-Michel Jarre

I am anxious to be close to a childhood memory that may have shaped my own search for electronic music: Jean-Michel Jarre. On Wednesday night, he opens ADE with “Oxygène and Beyond” at AFAS Live, celebrating 50 years of Oxygène, the album he recorded in a makeshift studio in his Paris apartment and released in December 1976. He was an icon of my childhood, and his music was my first live album, the first time I understood that electronic music could fill a room the size of a city.

Cover of Jean-Michel Jarre's album Oxygene, 1976Oxygène, 1976.
Cover of Jean-Michel Jarre's album Equinoxe, 1978Equinoxe, 1978.
Jean-Michel Jarre. Album artwork by Michel Granger.

Two years after Oxygène came Equinoxe, released in December 1978, the record that taught me what a synthesizer could feel like. Hearing that world again, live, on the opening night of the 30th ADE, is the kind of circle you do not plan. The same afternoon he joins the “Music & Machines” panel next to Lady Starlight, one of the women I am interviewing. Generations meeting in one room: that is ADE.

Why this matters for the UAE

Every conversation in Amsterdam is also a door for the women DJs in the Emirates. The managers, labels, promoters and artists we meet are the same people who decide who gets booked, signed and seen. We are going to listen, ask the questions our community would ask, and come back with contacts, references and stories that make the next opportunity easier to reach.

See you in Amsterdam. Where women lead the scene.

Follow the whole week on @djanemaguae: interviews, panels, Casa Brasil, Neon Fox inside the ADE Lab and, yes, Jean-Michel Jarre. And read our previous editorial, The Season Finale Has a Soundtrack.

Editor’s note: Schedules are drawn from the official ADE 2026 programme and the organisers’ announcements as of 17 October 2026 and may change. The Casa Brasil line-up follows Hot Beats’ announcement of 15 October 2026. Archive photos are from the ADE Photopack Archive, shared by Amsterdam Dance Event for press use. Album covers of Oxygène and Equinoxe are reproduced for editorial reference; artwork by Michel Granger. Community figures refer to the DJaneMag UAE community in October 2026.